Jerome Hershman, who saw the Levin guitar at a trade show in Germany in 1952, suggested the “Goya” name. of New York and Levin regarding marketing Levin made instruments under a different brand name in the U.S.A. Hermann Carlson went back to Gothenburg and formed the Levin Guitar Company, which was known as Goya in the US.Īs early as 1952 initial contacts were being made between the Hershman Musical Instrument Co. Levin was originally from Sweden but worked in the United States as a trainee at the Martin Guitar Company (as did his son just before World War I). Hershman initially used the Goya brand name in the mid 1950's for acoustic guitars made in Gothenburg, Sweden by Herman Carlson Levin, particularly known for his classical guitars. Hershman Musical Instruments Company of New York distributed these guitars. Goya instruments were originally produced in Sweden by the Levin Company, which has been making guitars since the early1900's. His second guitar, which he bought in 1958, was a Goya. Mason Williams, well known for his guitar instrumental Classical Gas, was also associated with Goya guitars.
#Goya classical guitar best movie
It has a plaque that states “Property of 20th Century Fox, Serial #179061 Goya Guitar-Maria, Sound of Music." The gentleman who appraised it, Robert Bass, told me he later determined this guitar was possibly a part of the movie but not used in the actual filming. For many years Goya aficionados believed it was a G-13, then in January 2009, a Goya guitar turned up in Florida during an estate appraisal. Those who saw the 1967 feature film The Sound of Music, will remember Julie Andrews playing a classical Goya guitar. The Goya is a wise choice for any beginning student, especially for a female to learn on because it has the short scale neck.
Andrés Segovia, the Andalusian born, Spanish classical guitarist, father of the modern classical guitar movement, often suggested the Goya to his students for a more resonant and incisive sound as they “nail-picked” their way through a Bach Suite or Villa-Lobos’ Prelude No.1. Melanie was another wonderful artist who used a Goya guitar for all of her songs. I sat down, wrote this song, and I just knew that that was the only thing I could ever really do – write songs and sing them to people.” During an interview, she was asked how long she had actually been composing songs, and she replied “It was my 16th birthday – my mom and dad gave me my Goya classical guitar that day.
#Goya classical guitar best mac
Stevie Nicks, the lead singer of Fleetwood Mac composed her first song I've Loved and I've Lost with a Goya. Never a sweeter song was ever played than those strummed or plucked on this fine instrument. She has a very deep mellow tone and the treble is good. Not bad for a guitar 3 years shy of her 50th birthday. It is a light golden auburn colour, with rosewood fret-board, old butter button tuners, rosewood bridge, a hand-carved bone nut, and she keeps in tune for up to 6 months just sitting in the case. She has 18 frets, solid Alpine spruce top, mahogany back and sides, and multicoloured inlays around the sound-hole. Terry Reid, that great unheralded talent, was almost an original member of Led Zeppelin, but his foolish manager turned the offer down, and refused to let Terry out of his contract, even when Atlantic Records founder, Ahmet Ertegun, offered a million dollars to buy him out. This particular Goya G-13 actually rivals Terry Reid's Martin D-26, which I ask him to leave as collateral whenever he borrows the Goya, which has a softer more intimate sound than his Martin. Donovan used the Goya, and my Appalachian dulcimer, on his Atlantis album.
#Goya classical guitar best full
My guitar, Gitanita, had a full rich voice, but the sounds were soft and gentle, and the quality was so good that people often asked to borrow “her” for recording sessions and gigs. Timothy Leary’s Celebrations, taught me to play simple drones on his José Ramirez, and although his was an older more expensive guitar, when I began to play those same drones on the Goya there was no comparison. My concert partner, Peter Walker, when we provided the music for Dr. Night and day, guitar adagios filled the incense-scented air.
To this day no one knows who brought it, who left it, or the exact details of how it actually came to be there.Īs visitors and suitors came and went, each of them one by one, fell under the spell of this magnificent instrument. One day long ago, and far away, a Goya guitar turned up in my English-style cottage on Larrabee Street in West Hollywood. When a group of people leave their motherland, whether it is by choice, or by force, frequently the only thing they are able to take with them is their music. And rest yourself ‘neath the strength of strings
0 kommentar(er)
